Earthquake: You Have To Know (History)

Pre-Middle Ages

From the lifetime of Greek Anaxagoras to the 14th century, earthquakes were attributed to "air (vapors) in the cavities of the Earth".[35] Tales of Milet, who lived from 625-547 (BCE) was the only documented person who believed that earthquakes were caused by tension between the earth and water. Other theories existed, including Greek philosopher Anaxamines of Milet's (585-526 BCE) beliefs that short incline episodes of dryness and wetness caused seismic activity. Greek philosopher Democritus (460-371BCE) blamed water in general for earthquakes. Pliny the Elder called earthquakes "underground thunderstorms".

Earthquakes in culture

Mythology and religion

In Norse mythology, earthquakes were explained as the violent struggling of the god Loki. When Loki, god of mischief and strife, murdered Baldr, god of beauty and light, he was punished by being bound in a cave with a poisonous serpent placed above his head dripping venom. Loki's wife Sigyn stood by him with a bowl to catch the poison, but whenever she had to empty the bowl the poison would drip on Loki's face, forcing him to jerk his head away and thrash against his bonds, causing the earth to tremble.

In Greek mythology, Poseidon was the cause and god of earthquakes. When he was in a bad mood, he would strike the ground with a trident, causing this and other calamities. He also used earthquakes to punish and inflict fear upon people as revenge.

In Japanese mythology, Namazu (鯰) is a giant catfish who causes earthquakes. Namazu lives in the mud beneath the earth, and is guarded by the god Kashima who restrains the fish with a stone. When Kashima lets his guard fall, Namazu thrashes about, causing violent earthquakes.

Popular culture

In modern popular culture, the portrayal of earthquakes is shaped by the memory of great cities laid waste, such as Kobe in 1995 or San Francisco in 1906. Fictional earthquakes tend to strike suddenly and without warning.[38] For this reason, stories about earthquakes generally begin with the disaster and focus on its immediate aftermath, as in Short Walk to Daylight (1972), The Ragged Edge (1968) or Aftershock: Earthquake in New York (1998). A notable example is Heinrich von Kleist's classic novella, The Earthquake in Chile, which describes the destruction of Santiago in 1647. Haruki Murakami's short fiction collection, After the Quake, depicts the consequences of the Kobe earthquake of 1995.

The most popular single earthquake in fiction is the hypothetical "Big One" expected of California's San Andreas Fault someday, as depicted in the novels Richter 10 (1996) and Goodbye California (1977) among other works. Jacob M. Appel's widely-anthologized short story, A Comparative Seismology, features a con artist who convinces an elderly woman that an apocalyptic earthquake is imminent. In Pleasure Boating in Lituya Bay, one of the stories in Jim Shepard's Like You'd Understand, Anyway, the "Big One" leads to an even more devastating tsunami.